Month:

December, 2006

For the first time in ages, I followed my own lucid dreaming advice, and told myself to remember my dreams last night. Thus, I have multiple dreams to report.

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So, I totally struck out in my attempt to get a name for when you hear someone calling you but no one really is. Maybe that’s because it only happens to me. To redeem myself, I’m going to talk today about another thing that happens to me, but which I know is fairly common. That way I’ll seem like a reg’lar human bean.

At Thanksgiving we had some friends over, and the conversation turned to what unusual human ability you’d like to have (you know, like eidetic memory or perfect pitch). Not superpowers. Regular powers that aren’t that common. I talked about Danny, who is the only person I’ve ever met with the ability to know how much time has passed since he last looked at a clock. No, really. It’s kind of sideshow freakish, but also incredibly interesting. We briefly discussed whether perfect pitch is trainable or not.

Then one of the guys present told us he’d like the ability to lucid dream. Both women present were like “Pshaw, you can teach yourself to lucid dream. Anyone can do it.” Then the guy told us he wouldn’t know where to start, because his dream world is completely shut off from his waking world. He’s actually not the first guy I’ve met that has told me this. There’s several people I’ve known (mostly male) who have told me they cannot remember their dreams. At all. Ever. They say they trust that they dream because doctors say we all must or die, but that they themselves have no evidence or memory of ever doing so. Since I’ve got this hyperactive super-realistic dream life, I find that kind of train-wreck-fascinating/horrifying. Really? No connection to your dreams at all? How can that be?

So here’s my quick and dirty guide to lucid dreaming. First, you have to map the geography of your dreams a bit. You have to figure out the general rules of your dreamscape. Fortunately for you, there’s some archetypes, and where there’s not archetypes you’ll recognize patterns of your own. I dream about houses and buildings a lot, for example, often with intricate and detailed architectures. (It’s so prevalent that sometimes I think there’s a me in another universe who is an architect, and all that’s left of her in this universe is those crazy elaborate houses in my dreams.) It helps, starting out, to remember your dreams. The way to remember your dreams is this : tell yourself before you fall asleep that you will remember your dreams. Yeah, that simple. I’m dead serious. Repeat to yourself, say, seven to ten times (or you know, if you have a super secret special number that’s the charm or your lucky number or whatever, that many times), “I will remember my dreams.” I hardly ever do this anymore, what with my dreams busting out all over the place, but in the beginning, it helps. Once this works, you can help the process along a bit by jotting your dreams down when you wake. Second, find the triggers. There are things happening in your dreams that cannot happen in waking life. When you learn to recognize the impossibilities, you can acknowledge them, and say to yourself “Hey, this can’t happen, therefore, I’m dreaming.” For me the written word is a good trigger (and this will be the case for a lot of people, it’s kind of archetypal) because nothing I read remains the same twice in a dream. So if there are signs, or I have a book, or I’ve written something down, or I see a computer screen, that’s a potential opportunity for me to notice I’m dreaming. All I have to do is read a line of text twice and see if it’s the same. Other triggers can be point of view shifts. The dream director loves futzing around with POV. Are you playing two characters in your dream? Did you just replay the scene, watching yourself from the outside? Did you just replay the same scene twice to a different outcome? None of that can happen. You’re dreaming. Anyway, find your triggers, tell yourself you’re dreaming. Ok, so now you know you’re dreaming. Try directing it. Walk away from the action, or manufacture something you’d find handy. Pull a Mary Poppins. Whatever you’d like. See how easy? Lucid dreaming. I actually do very minimal dream direction. I prefer to ride along and see where I’m going. The only time I ever try to direct my dreams is when they are unpleasant. Usually, I just try to wake myself up. My friend, the other lucid dreamer at our Thanksgiving gathering, says she has a mental remote, and she changes the dream channel until she finds one she likes. I actually think that’s a better strategy, and may try that next time, because I’ve not had good results trying to wake myself from a dream.

Which brings me to sleep paralysis. When I’ve had dreams that are terrible enough that I want to wake up from them, I tell myself to wake up, and that all I have to do in order to wake up is open my eyes. But I find I can’t. My eyes are sealed shut or I can’t control them. This feeling is often worse than the original dream was, by the way. There’s no panic quite like knowing you’re asleep but not being able to do anything about it. I believe my inability to wake myself up is due to sleep paralysis. I’m still dreaming, so my muscles are paralyzed and I can’t use them as I normally would. Sometime I tell myself to shake an arm or a leg instead, and wake myself up that way. That rarely works, either. Sometimes my brain tries to fool me into thinking it worked (because I can be tenacious, screaming at myself to “Wake up, wake up wake up!” or “Open your eyes! Open your eyes! Open your eyes!” and I think my subconscious finds it hard to take care of business with all that noise) by starting a dream where I’ve just woken up in my bedroom, but soon I realize (something’s not right) that this is a dream too. Once or twice I’ve “woken myself up” like three times in a row, rising a little closer to waking with each level, before finally truly opening my eyes.

I know this can’t be that extraordinary a phenomenon. After all, it’s got a label. Tell me about your sleep paralysis experiences, won’t you?

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In: in my life | Tags:

3 Dec 2006, by Anna Schwind

Melusine

Melusine by Sarah Monette (best guess 26) [specfic]. I checked this book out of the library at first, then picked it up from Peter’s discard pile. The adventures of Felix and Mildmay, residents of two very different parts of Melusine. I liked this book, but not without reservations. Things I liked: (1) the magic system is just perfect. It’s clear that a lot of effort and thought went into it and it works and is broken in all the right places to seem authentic. I loved the competing schools, the shortsightedness of people’s disbelief, how the usefulness of the magic came from people’s interpretation of how it works. (2) some of the terminology was just perfect (annemer, hocus, flashies, flats, mollys, Keeper, Kennels). She’s got a definite way with words, a sure way to woo me. (3) I like it when doing the right thing has cost, and that’s definitely the case in this book. No good deed goes unpunished, as they say. (4) the book is well-written. The author has an excellent command of rising tension, and the voice switches were seamlessly executed. I wanted to keep reading most of the time. (5) Mildmay rocks. Things I did not like: (1) a bit overboard with the unending melodrama. The relentlessness of it was less cathartic than tiresome. Oh, look, he’s blacked out from the pain again. (2) it’s page 290 before one of the major reveals (the reveal itself cleverly concealed and nicely done, imo) and somewhere before that there’s about 100 pages of totally unnecessary lunatic asylum. (3) I know I’m oversensitive to word and phrase repetition (I must be, I seem to complain about it all the time) but by about the seventh rep, I was ready to rip out pages with references to “hairy eyeballs” — a stupid, stupid phrase used about a dozen times. (4) the plot falls to pieces if anyone communicates to anyone else at any point in the book with clarity and honesty. Plots that are completely predicated on miscommunication irritate me. At the point when the compulsion is lifted but Felix still can’t bring himself to come clean and say what’s happened I got pretty impatient with the author, the book, and the protagonist. (5) I can totally buy a promiscuous happy puppy land with no STD’s (like in a standard romance, say), but if we’re going to have dark and gritty and promiscuous, then I need some syphilis in the mix to hold believability. C’mon, now. (6) everyone not the protags seemed a little flat and two-dimensional, most especially the evil folks. Sometimes people’s actions seemed to arise from no other impetus than plot convenience. Was this because of the first person narrative? I’m not sure. Other notes: just like any book with an intricate world (Perdido Street Station comes to mind) there were things that I was far more interested in than the author and I resented being yanked away from them. I liked the cade-skiffs, for example, but we couldn’t give them more than a couple of paragaphs, meanwhile we have to endure pages of court (yawn) intrigue. And why, oh why, couldn’t we get a date conversion appendix? Fine, enrich your world with multiple calendars, great, but help a reader out, willya? I still don’t know how long an indiction is (septad and decad were self-evident, afaic, but there were still weirdnesses such as Mildmay referring to people with two septad and three as kids. A seventeen-year-old is a kid? In this world? To a twenty-year-old? You’re kidding, right?). Things I didn’t get : why Thaddeus turns on Felix, the naming conventions, especially within Melusine and for Melusineans (why’s this one named Stephen and that one named Cardenio and the other named Joline?), how the politics works exactly. I’m still on the fence about whether I’ll read the next one. As you can see from my count, we’re slightly ahead on the did-not-like list, though I’ll forgive a lot for a truly decent magic system, and the plot has to be different in the next book, right? I finished this on 12/2/06.

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